Friday, November 21, 2025

Royalties and Taxes

 

A Friendly Guide for Authors

You’ve poured your heart into your words, and now the royalties are starting to arrive. That’s exciting! But along with the thrill of seeing your book earn money comes the question every author eventually faces: how do taxes work on royalties?

Don’t worry — let’s walk through it together in plain language.

Wages vs. Royalties

Think of your income in two buckets:

        Wages from a job: If you teach, work part‑time, or have a day job, your employer already takes care of Social Security and Medicare taxes for you.

        Royalties and freelance income: This is money from your creative work. Here, you’re the “employer,” so you’re responsible for paying both income tax and self‑employment tax on what you earn after expenses.

Translation: You don’t pay self‑employment tax on wages, but you do on royalties if they’re part of your writing business.

Active vs. Passive Royalties

Not all royalties are treated the same. Here’s the simple split:

        Active royalties: From your own writing, publishing, or ongoing creative work. These are taxed like business income — both income tax and self‑employment tax apply.

        Passive royalties: From something you inherited or don’t actively manage. These are taxed only as income, no self‑employment tax.

Most working authors fall into the “active” category.

The $400 Rule

Here’s the magic number:

        If your net royalties (after expenses) are less than $400 in a year, you don’t owe self‑employment tax.

        Once you cross that threshold, even by a little, self‑employment tax kicks in.

Example:

        Royalties: $2,000

        Expenses: $200

        Net: $1,800

        Taxes: Income tax on $1,800, plus self‑employment tax (about 15.3%).

What If Income Is a Surprise?

Sometimes royalties trickle in slowly, then suddenly spike. If you didn’t expect it, you can make the tax payment in the last quarter of the year (due January 15). As long as you pay enough to cover your share, the IRS won’t penalize you for not paying earlier.

Publisher’s Role

Here’s what you can expect from us:

        If you earn $10 or more in royalties in a year, we’re (your publisher) required to send you a Form 1099‑MISC.

        You’ll receive it by January 31 of the following year.

        We also file it with the IRS, so your royalties are officially reported.

Your Quick Checklist

1.      Track your royalty income separately from wages.

2.      Deduct legitimate business expenses (editing, supplies, marketing).

3.      Calculate both income tax and self‑employment tax on net royalties.

4.      Make quarterly payments if income is steady; use the last quarter if it’s a surprise.

5.      Keep records of royalty statements and expenses.

6.      Expect a 1099‑MISC if you earn $10 or more in royalties.

Author FAQs

“Do I really need to pay tax on $50 in royalties?”
Yes, all royalties are taxable income. But if your net self‑employment income is under $400 for the year, you won’t owe self‑employment tax — just income tax.

“What if I only get one royalty check a year?”
That’s fine. You still report it as income. If it’s large enough, you may need to make an estimated tax payment in the quarter you receive it.

“Can I use my employer’s withholding to cover royalty taxes?”
You can adjust your W‑4 to cover the income tax portion, but self‑employment tax must be paid separately.

“What happens if I forget to pay quarterly?”
If the income was unexpected, you can catch up in the last quarter (by January 15). As long as you pay enough to meet IRS safe harbor rules, you can avoid penalties.

“Do expenses really matter?”
Absolutely. Every dollar you spend on editing, marketing, or supplies reduces your taxable net royalties — and therefore lowers both income tax and self‑employment tax.

Final Word

Royalties are proof that your words are reaching readers — and that’s worth celebrating. Taxes may feel intimidating, but with a little planning, they’re manageable. Think of it as part of the business side of being an author. Stay organized, keep good records, and remember: every royalty check is a sign your work is making an impact.

Reference List

        IRS Self-Employment Tax Overview
https://www.irs.gov/businesses/small-businesses-self-employed/self-employment-tax

        Form 1099-MISC Instructions (Royalties Reporting)
https://www.irs.gov/forms-pubs/about-form-1099-misc

        Estimated Tax Payments (Form 1040-ES)
https://www.irs.gov/forms-pubs/about-form-1040-es

        Publication 334: Tax Guide for Small Business (Including Self-Employed)
https://www.irs.gov/forms-pubs/about-publication-334

        IRS Safe Harbor Rules for Estimated Tax
https://www.irs.gov/newsroom/understanding-the-safe-harbor-rule

        Form W-9 (Request for Taxpayer Identification Number)
https://www.irs.gov/forms-pubs/about-form-w-9

About the Author

Daryl Horton is a technical and creative writer who is passionate about being creative. He has comprehensive training in business information management, information systems management, and creative and technical writing. Daryl has the knowledge and skills to help organizations optimize their performance and maximize their potential. He spent several years in a Knowledge Management PhD program at Walden University, nearly completing it, but resigned from the program during his dissertation phase to pursue his passion for creativity (http://www.abolitic.com/). Despite his love for creativity, he often finds himself participating in groups where his technical experiences add value.

You can find more information about Daryl Horton on his LinkedIn page at https://www.linkedin.com/in/darylhorton/.

Generated with the assistance of Microsoft Copilot. Reviewed and edited by a human author.


Available at Amazon



Wednesday, November 19, 2025

Ghostwriting and AI

 



The Myth of the Transparent Mind

In the world of publishing, ghostwriting has long been accepted as a behind-the-scenes craft. Celebrities, executives, and thought leaders routinely rely on ghostwriters to shape their stories, polish their prose, and bring their ideas to life. No one blinks. But introduce AI into that same role, and suddenly the ethics get murky.

Why?

The answer reveals more about our assumptions than about the tools themselves.

The Double Standard

When a human ghostwriter pens a memoir or a business book, we rarely ask:

·        Was this truly the author’s voice?

·        Were any ideas borrowed subconsciously?

·        Could there be unintentional bias or misinformation?

Yet when AI is used—even with clear human direction—those same questions become ethical red flags. Critics cite concerns about originality, trust, and transparency. But here’s the truth:

The human mind is a black box too.

Ghostwriters bring years of absorbed content—books, films, conversations—that inevitably shape their output. Bias, uncredited influence, and even unintentional plagiarism are not unique to machines. They’re part of the human creative process.

AI as Ghostwriter: A Legitimate Tool

AI can draft, edit, and even mimic tone with remarkable precision. But it doesn’t replace the author’s intent—it amplifies it. Like a human ghostwriter, AI:

·        Responds to prompts and direction

·        Adapts to voice and genre

·        Requires editorial oversight

The ethical question isn’t whether AI was used. It’s how it was used—and whether the final product meets the same standards we expect from human-assisted work.

A Unified Standard for Authorship

At our imprint, we believe in source-agnostic integrity. Whether a manuscript is shaped by a human ghostwriter, an AI assistant, or both, we hold it to the same bar:

·        Originality: No plagiarism, no mimicry without transformation

·        Transparency: Disclosure when AI or ghostwriting significantly shapes the work

·        Accountability: The credited author owns the message, the facts, and the impact

We’re developing modular policies that help authors navigate these choices—whether they’re drafting a memoir, a manifesto, or a hybrid illustrated story.

The Future of Authorship Is Layered

As AI becomes a more common tool in the creative process, we must move beyond binary thinking. Authorship isn’t about who typed the words—it’s about who shaped the vision, took responsibility, and stood behind the message.

Ghostwriting—human or AI—isn’t a shortcut. It’s a collaboration. And like any collaboration, it demands clarity, ethics, and trust.

About the Author

Daryl Horton is a technical and creative writer who is passionate about being creative. He has comprehensive training in business information management, information systems management, and creative and technical writing. Daryl has the knowledge and skills to help organizations optimize their performance and maximize their potential. He spent several years in a Knowledge Management PhD program at Walden University, nearly completing it, but resigned from the program during his dissertation phase to pursue his passion for creativity (http://www.abolitic.com/). Despite his love for creativity, he often finds himself participating in groups where his technical experiences add value.

You can find more information about Daryl Horton on his LinkedIn page at https://www.linkedin.com/in/darylhorton/.

Generated with the assistance of Microsoft Copilot. Reviewed and edited by a human author.


Tuesday, November 11, 2025

Demystifying Publishing Contracts


 

A Guide for Authors Navigating Traditional, Hybrid, and Self-Publishing Agreements

Whether you're signing with a traditional publisher, exploring hybrid options, or managing your own publishing team, understanding contracts is essential to protecting your rights, income, and creative control. This post breaks down the key differences between publishing models, explains what to look for in contracts, and offers vetted video resources to help you read and negotiate with confidence.

What Is a Publishing Contract?

A publishing contract is a legal agreement between an author and a publisher that outlines how a book will be published, distributed, and monetized. It defines:

·        Rights granted (e.g., print, digital, audio, translation)

·        Royalties and advances

·        Creative control and editorial process

·        Reversion clauses (when rights return to the author)

·        Distribution and marketing responsibilities

Why it matters: This contract governs the life of your book in the marketplace. Every clause can affect your income, visibility, and future publishing options.

Traditional vs. Hybrid Publishing Contracts

Traditional publishing contracts typically offer full financial backing and limited author control, while hybrid publishing contracts involve shared costs and greater author autonomy. The key differences lie in rights ownership, royalties, creative control, and who pays for production.

Traditional Publishing Contracts

These are offered by major publishers like Penguin Random House or HarperCollins.

·        Publisher pays all costs: Editing, design, printing, distribution, and marketing are covered by the publisher.

·        Advance + royalties: Authors often receive an advance against royalties, meaning they’re paid upfront and earn royalties after the advance is recouped.

·        Limited creative control: The publisher typically has final say over cover design, title, and editorial decisions.

·        Exclusive rights: The publisher usually acquires exclusive rights to publish in specific formats and territories.

·        Longer timelines: Traditional publishing can take 12–24 months from contract to release.

·        Wide distribution: Books are distributed to bookstores, libraries, and international markets.

Hybrid Publishing Contracts

Hybrid publishers blend elements of traditional and self-publishing. Examples include She Writes Press and Greenleaf Book Group.

·        Author pays or co-invests: Authors contribute to production costs, often through a service fee or package.

·        Higher royalties: Authors typically earn 50–70% of net sales, much higher than traditional rates.

·        Retain more rights: Authors often keep copyright and can negotiate non-exclusive terms.

·        Creative control: Authors have more say in design, editing, and marketing decisions.

·        Faster turnaround: Books may be published within 3–6 months.

·        Selective distribution: Distribution may be more limited, though some hybrids offer bookstore access.

Key Differences at a Glance

Feature

Traditional Publishing

Hybrid Publishing

Upfront Cost

None (publisher pays)

Author pays or co-invests

Royalties

10–15% of retail price

50–70% of net sales

Rights Ownership

Publisher often holds rights

Author usually retains rights

Creative Control

Publisher-led

Author-led

Distribution

Wide (bookstores, libraries)

Varies by hybrid publisher

Timeline

12–24 months

3–6 months

 

Self-Publishing: Freelancers vs. Hybrid À La Carte Services

Self-Publishing with Freelancers (Independent Contracting)

This model gives you full control over your publishing journey. You hire and manage each professional—editor, designer, formatter, marketer—on your own terms.

Pros:

·        You own all rights and files (ISBNs, design files, etc.).

·        You choose your team: vet editors, designers, and marketers based on your needs and budget.

·        Flexible pricing: You can negotiate rates and only pay for what you need.

·        Direct communication: You manage timelines, revisions, and expectations directly.

Cons:

·        Project management is on you: You must coordinate schedules, contracts, and quality control.

·        No built-in distribution: You’ll need to set up accounts with Amazon KDP, IngramSpark, etc.

·        Risk of inconsistent quality if you don’t vet contractors carefully.

À La Carte Hybrid Publishing

Here, you’re still paying for services, but through a single company that offers packages or individual services (editing, design, marketing, etc.). You’re not signing a traditional publishing contract, but you may sign a service agreement that includes terms about rights, royalties, and deliverables.

Pros:

·        Streamlined process: One point of contact, one invoice, one timeline.

·        Professional infrastructure: Many hybrids offer vetted teams and established workflows.

·        Optional distribution support: Some offer access to bookstore channels or library listings.

Cons:

·        Higher cost per service: You may pay a premium for convenience.

·        Rights and royalties may be restricted: Some hybrids retain partial rights or take a cut of sales.

·        Less flexibility: You may be limited to their team, timelines, or design templates.

·        Bundling pressure: Even à la carte models may upsell you into packages you don’t need.

Key Differences at a Glance

Feature

Freelance Contracting

À La Carte Hybrid Publishing

Control

Full author control

Shared with hybrid publisher

Rights Ownership

Always retained by author

May vary—read the fine print

Team Selection

You choose each pro

Hybrid assigns or limits choices

Cost Structure

Negotiable, often lower

Higher, with bundled service pricing

Project Management

Author-managed

Hybrid-managed

Distribution Support

DIY setup (KDP, IngramSpark, etc.)

May include optional distribution

Transparency

Clear contracts with each vendor

Varies—some hybrids obscure deliverables

 

Must-Watch Videos: How to Read a Publishing Contract

These videos break down real contracts, red flags, and negotiation tips:

1.       PUBLISHING CONTRACTS: Check these 5 things
A quick overview of five critical clauses every author should understand.

2.       Why You Should Always Read Your Contract
Literary agents explain why every clause matters.

3.       How do Traditional Publishing contracts work?
A Q&A session on how traditional contracts are structured.

4.       Ask These Questions Before You Sign That Publishing Contract
Practical questions to ask before signing.

5.       Hybrid Publishing Contracts Exposed: A Real Contract Walkthrough
A detailed look at a real hybrid publishing contract.

6.       Negotiating Book Contracts with Suzanne Lucas Gosson
Covers advances, royalties, and negotiation strategies.

7.       How to Review a Book Publishing Agreement (9 Terms to Find)
A structured guide to the most important contract terms.

Final Thoughts for Authors

·        Never sign a contract you don’t fully understand.

·        Compare models based on your goals, budget, and timeline.

·        Retain your rights whenever possible.

·        Ask questions, get legal advice, and advocate for yourself.

If you’re building a sustainable author career, your contract is your foundation. Make sure it supports—not undermines—your long-term vision.

 

About the Author

Daryl Horton is a technical and creative writer who is passionate about being creative. He has comprehensive training in business information management, information systems management, and creative and technical writing. Daryl has the knowledge and skills to help organizations optimize their performance and maximize their potential. He spent several years in a Knowledge Management PhD program at Walden University, nearly completing it, but resigned from the program during his dissertation phase to pursue his passion for creativity (http://www.abolitic.com/). Despite his love for creativity, he often finds himself participating in groups where his technical experiences add value.

You can find more information about Daryl Horton on his LinkedIn page at https://www.linkedin.com/in/darylhorton/.

Generated by Microsoft Copilot. Reviewed and edited by a human author.

Available at Amazon